Tuesday, May 20, 2025

 

 

Kanniyarkali – New heights – Rising glory

Jaya Prakash Kallikkal




Enmeshed in the cultural ethos of Palakkad are traditions that have delectable mix of Kerala Nair community and its culture.  A tinge of folk dance and music traditions, drawing inspiration from various historical and social traditions from Chera, Pallava and Chola dynasties resonate through Kanniyarkali. Interweaving the life of common folk creatively communicated through the medium of story-telling, mono acting, group dance, costume, theatre and musical traditions Kanniyarkali, encapsulates folk traditions.

 

Palakkad upholds a unique identity in the landscape of Kerala. Often referred to as ‘The Granary of Kerala’, passage of time has not penetrated this gem of a land in the map of Kerala. While towering concrete structures and crowded market places are replacing rural topography with passage of time, Palakkad is perhaps a hidden paradise that greets a visitor to a vast expanse of virgin green lands bordered by pretty hills endowed with a cultural heritage that retains its innate freshness and charm.  

Passage of time has not shrunk the cultural identity of Palakkadan lifestyle. The village temples continue to conduct age old rituals and some of the festivities (Velas and Poorams) like Nemmara Vela find its rightful place in the Kerala Tourist calender and have world-wide following. 

In the chain of temple festivities in the district of Palakkad, a distinct folk dance form known as Kanniyar Kali continues to be followed with fervor by the Nair Community.  Primarily known as Desathukali, Kanniyarkali is a vibrant folk art form deeply rooted in the cultural landscape of Palakkad. This folk-dance-drama tradition is performed, celebrated and followed with great fervor in several agrarian villages of the Palakkad plains, especially in and around Chittur Taluk, during the Vishu season (mid-April), coinciding with the end of the harvest.

Kanniyarkali is not merely a folk dance form that is limited to few members or an hour of performance.  It enshrines the principles of story telling, mono acting, group dance, costume and musical tradition drawing inspirations from various historical and social traditions that extends from night to dawn for several days. Communities collectively organize this event where representation of  village (deshams) is considered a matter of immense pride.


During the season of Kanniyarkali celebrations, the performances commence each night with the men of the community gathering in the temples and performing a rhythmic circular dance called vattakali (vattakali literally means a circular dance). The vattakali is followed by several 'puraattu' kalis.  The purattu does not have a standard format and each purattu lasts for an hour. The purattu depicts the life and social customs of various castes and tribes of medieval Kerala and Tamil Nadu. Since the purattu depict various heterogeneous castes and tribes, the various purattus have different costumes, style of dancing and songs with different tempos. Certain purattu which depict fierce tribes or warrior tribes have performances resembling stick fights and martial movements whereas certain other purattus have slow and rhythmic movements. Certain purattus are laced with humor and depict a scenario wherein a long lost husband and wife have a reunion.

Kanniyar kali performances are primarily conducted near or in vicinity of a temple in a specially constructed arena called a Kanniyarkali pandal which is consists of a roof supported by nine pillars and is square shaped.  Colourful floral decorations adorns the performance area  where a nilaviakku (a lighted lamp) is placed in the centre where the singers occupy the central position of the stage and the dancers dance along the periphery of the pandal in a circular and weave pattern.  There are also solo and group performances with Question and Answer sessions with song and music sessions. The lyrics of the songs are mostly in Malayalam and certain porattus have lyrics with influence of Tamil and Dravidian society. The singers are accompanied by artists who play various musical instruments such as the Elatalam, Chenda, Maddalam and the chengalam.

The participants are primarily men and women are represented by cross-dressing men who imitate the body language and way of speaking of women.  However, changing times are witnessing advent of young girls into the pantheon of Kanniyarkali performers.

Enmeshed in the cultural ethos of Palakkad and God’s Own Country, Kanniyarkali has today transcended geographic boundaries of Kerala and is touching new heights and recognition.  Kanniyarkali performances in Middle East and foreign nations is getting due recognition.  This traditional folk dance and music form from Palakkad, Kerala is now an folk dance/music tradition that has been given due recognition by Kerala State Government and Department of Culture.  University of Delhi has assigned additional points for students proficient in this folk dance form, seeking admission through the cultural segment.  Kanniyarkali has withstood the challenges of time.

 Recent event by Kerala Kanniyarkali Arts Promotion Council (KKAPC)

Kerala Kanniyarkali Arts Promotion Council (KKAPC) organized a two day Kanniyarkali festival on 16 & 17 May, 2025 at Pallasena which was streamed live on You Tube.  The event witnessed assembly of large number of troupes from several villages (deshams) from Palakkad and their performances were watched by thousand of Kanniyarkali lovers from across the globe.  

Several deshams gave solo and group performances at Pallasena. Performances by Thiruvazhiyad, Kuzhalmannam, Anju Moorthy, Kizhakkencherry, Puthiyangam, Kuthanoor deshams and Pallasana formed integral part of the programme and got huge accolades.  

Names of the prominent groups who participated in the event organised by KKAPC (alongwith the dance item) are listed below:

1.         Kakkayoor -            Koottapooshari

2.        Pallavoor Padijarethara Sangham – Kootta Thottiyan

3.        Iranjimannam Desham, Kollengode – Kootapooshari

4.        Athipotta Desham: Cheruchathan

5.        Vavulliyapuram desham – Panan Paatti

6.        Kattuserri Desham – Mannan Mannathi

7.        Pallasena Desham – Malayar

8.        Cheramangalam Desham – Iratta Mudukar

9.        Pullot Desham – Kootta Malayar

10.      Ayalur Thekke Thara – Koota Mudugar

11.      Pallavoor Kizhakke Sangham – Thottiyan Thottichi

12.      Pulinelli Desham - Vettuvakanakkar

13.      Nemmara Desham – Kootta Chakkiliyar

14.      Rishi Narada Managala Desham: Vettuvakanakkar.

15.      Koduvayoor Karuvannoor Thara – Cherumi Cheruman

16.      Kunisseri Kizhakke Thara – Kootta Thottiyar

15.      Vadavannur Desham – Kurathi Kuravan.

16.      Vanoor Desham – Otta Chakkiliyar

17.      Ayiloor Thara -        Cheru Chathan

18.      Pulinelli Desham – Vella Kodishi, Vesha Kodishi

19.      Nemmara Desham – Kurathi Kuravan

20.      Koduvayoor Karuvannur Thara – Kootta Mariyamma

21.      Kunisseri Kizhakke Thara – Kurathi Kuravan

22.      Vadavannur Desham – Malayan.






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    Kanniyarkali – New heights – Rising glory Jaya Prakash Kallikkal Enmeshed in the cultural ethos of Palakkad are traditions that ha...