Sunday, July 24, 2011

LIGHT A WAY..(the B&W challenge…Light Series) 19/7/2011:22:10 B L A C K C A L B | W H I T E T I H W jpkallikkal©2011

Kindling desires enshrined in magic

Jaded night encumbered disguised

Ambers of ache submerged insipid

Ambling heart unheard unfeigned

Riveting passions ensconced in practice

Youthful catharsis ever disguised

Effigies of past dodgy and dreary

Appealing peace surreal - denied

Nomadic passions unwinding ivy of poison

Pretentious warnings unspoken unsigned

Kinetic zealots thrusting spinning

Rivulets of storm unbridled, un-timed

Heartless illogic so deafening

Acidic turpitude unspoken - un-fined

Another doomsday in darkness

Kisses of ecstatic joy denied?

Willowing magic decreed stillness

Acerbic mind submerged, sublimed

Aerobic beats of a heart restless

Silently bruised, bleeding, so mimed

Juxtapositions needles of timelessness

Heavenly rain bowing spectrum, so white

Anaerobic black moments trickling tear-drops

In darkness, a frozen sun shines!

LIGHT A WAY..(the B&W challenge…Light Series) by Jaya Prakash Monday, July 18, 2011 at 8:00am

Light a way Oh breath!
Let the phantoms fly
Black cloaked daggers
Pumping pain insane

Light a way Oh stealth!
Let a spirit smile
Ebony foams of fancy
Pensive pale so dried

Light a way Oh wealth!
Mountains of desire
Melt away the dread
Oozing fountains so mired

Light a way Oh Birth!
Let me cry again
Spirited white lotus
Let it smile again

Light a way my death
Let it ignite again
Passions of hidden glories
Burn it bright again!

Wednesday, May 11, 2011

All Alone

That day
I was in a
Left alone
to watch
the movements
my world

A world
Noisy, active
and wild

My heart
leaped out
my body

My spirit
from me
to catch
the action

a ruffle
I was back
to my own
Still sitting
by the window
All alone.


Fashion as a word has derived from the Latin word ‘facere’ that means “to make.” This exclusive word has today transgressed the boundaries of space, geographical barriers, languages and cultures. It is said, ‘Whatever is favored at a given time by those who are regarded as up-to-date is fashion’. But there is no denying the fact that it is a language universally experienced not just by the youth but acknowledged across all age brackets. If the stone-age man dressed up in tree barks and leaves, the trend changed and the crude garments of pre-history paved way to structured styles of the ancient times. The solemn styles of the Middle ages now transformed into exotic and fanciful fashion trends.

The rapid changes due to globalization, advanced technology, market studies and communication are affecting the way our society perceives fashion and uses it. It has been established that design belongs to a transient moment in history dwelling upon a continuous socio-cultural and economic environment, which is most probably suspended between tradition and modernity. It affects and is affected by the inherent strengths or art and technology, craftsmanship, industrialization, publicity, market studies and influences of the fashion industry and fashion market. Fashion, which used to be associated with clothes, has now spread to every conceivable form of fabric, colour, texture and medium. Now it is also being applied to architecture, furniture, toys, interior and exterior designs, auto-designs and anything which could appeal the human senses.

The magnificent panorama of fashion dwells over three periods, the first phase, in which it was impersonal and generic, the second where it went on to become personal and national and the third when it became impersonal and international, wherein each phase reveal contradictory elements and complex trends. Mind blowing changes have taken place in the fashion scene over the past two decades. India with its unbroken cultural lineage dating back to the medieval times was always confronted with changing fashion trends. The clothes, jewels, accessories and other paraphernalia constantly underwent changes and modifications.

If big hair, stretchy stirrup pants fashioned on MC Hammer pants or Z Cavarici jeans were a rage in the 80’s, fashion brands penetrated the protected middle income households. Denims, cottons and natural colors started getting competition from acrylic and hyper-colors. 80’s also brought to the fore two varied styles. While on one hand women started taking more responsibilities in business, their dress codes and business suits witnessed broader shoulders, shoulder pads resembling the styles of the 30’s with brighter colors viz. yellows, pinks and blues. On the other hand body shaping and fitness regime brought to the fore a big market for exercise garments. Lycra and spandex spurted to becoming essential materials as colors preferred changed to the pinks and greens. 80’s was also a period when the yuppie culture set in and personalities started getting identified with the style of the suit they wore, the car they drove and the accessories they flaunted. For the fashion maker too the decade was significant. A good fashion marketer is supposed to be one who studies the fashion market trends, customer needs, moods and the overall market analysis prior to making his market presence. The 80’s brought new challenges and choices before the fashion marketer for whom the markets and choices expanded as tastes and price barriers adjusted to the needs of the market.

The 90’s transformed into the decade of the ‘brands’. It is believed that this was also a decade when the society rejected the excesses of the 80’s and design became more sober and minimalist. With feminine gender gaining more control over the lives professionally and soaring disposable incomes, fashion started reflecting a new energy and ambiance. This was also a period when fashion communication too gained credence opening up new vistas for a burgeoning fashion market. With a multitude of domestic and international brands, companies and designers, this was a period when a thrust was given to developing unique identities and maximizing visibility. Significant concerns were also raised towards social and human values, proactively anticipating and responding to emerging business opportunities, strategic changes, innovation and marketing strategy for merchandising.

Like designs are made in minds of the designers, long before pencil touches paper, the long term success and failure of trends and markets primarily leads back to the visualization and planning stages. Successful fashion marketing involves knowing the current trends under specific influences. Though replicating is a safe near-term strategy, it entails a high potential for long term error. Successful fashion marketing employs the skills of communication and related tools to enable collection, vetting and programming to arrive at defining spaces and providing adequate flexibility and simultaneously incorporating latitude for technological and cultural evolution.

Current fashion trends are the resultant of untiring and continuous efforts on the part of all associated with the fashion industry to arrive at results, which are so evident across the globe. But generally fashion has a spelt purpose primarily to accommodate human character through a milieu of traditions, sensibilities, desires and dreams of people and the society. Further, it adapts to the needs of a modern society’s impersonal utilitarianism and changes in technology. Fashion reflects not just the needs of a human civilization but the dreams and aspirations of a humanity seeking out change and reformation.

Touch of the Countryside

Touch of the Countryside - Coyalmannam

Kerala has always been a big draw with tourists from around the globe. In fact it is one of the most favored state tourist destinations in India. A geographic piece of land said to have been carved out of the axe of ‘Parashurama’ this God’s own country has the capacity to charge a tired soul wishing for a ‘time out’ from the din and noise of a big city.

‘Coyalmannam’is one such distinct destination located in the district of Palakkad. About 14 kms away from the city, this ‘granary of the south’ is still abound with vast stretches of paddy fields edged with coconut plantations. The name ‘Coyalmannam’ literally translates into ‘a place where Lord Krishna walked slowly holding his flute’, no wonder ‘Coyalmannam’ has its very own ‘Maruthur Krishna temple’ revered for its spiritual ethos etched in the sands of time. A serene and ambient locale, the place is replete with signs of rich religious and cultural heritage. Azhakath Shiva Temple, Vadakunathan shiva temple and Bharatpuram temple are distinct in their own rights. In fact ‘Bharatpuram’ temple dedicated to ‘Bharath’ the brother of ‘Lord Sri Rama’ is a rare temple and is one of the four such temples in South India! Apart from this a number of religious worship sites dot this green locate.

The ‘Mattuchanda’ or Cattle market of ‘Coyalmannam’ is noted for its lively and frenzy filled transactions. More than 15000 cattle are brought to a vast ‘maidan’ where auctions are held where interested buyers bid their price to lay their hands on priced cattle brought in from various parts of the state and outside. The oxen race of Erumayoor lying adjacent to Coyalmannam is also a crowd puller and is perhaps the only place in Kerala where cattle races are held.

‘Coylamannam’ is not merely a reflection of nature, it has a strong agrarian history and its people are warm, friendly and industrious. Though the population comprises of all sections and religious denominations. Distinct are the households of Nediyadath, Chedanath, Kiznaipurath, Andoor, Velliandoor etc. who inherited a Hindu Nair lineage with a marked and distinct ancestry dating back to more than 100 years!

A visit to Kerala is incomplete without a witness to awe-inspiring show of cultural wealth. Coyalmannam too has its own range of splendor and colour which are in full view during the annual Ulsavams and celebrations. ‘Kali’ or Folk dance competitions spread over 10 days is an annual affair here. People from far and wide participate in intensely orchestrated demonstration of physical dexterity and performance through dance forms which are categorized as ‘Vattakali’, ‘Porat’, ‘Malayar’, ‘Kutachakiliar’ etc.
The rich cultural heritage of the lands is also reflected through regular temple festivals, ‘Palli Perunals’ of the muslims, ‘Vishu vella’ etc.

‘Coyalmannam’ is not just a village tucked in the belly of Palakkad, it is a place from where people have spread all across the globe. If the first few decades of Independent India saw its inhabitants cross over the boundaries of the state to reach and settle in the metropolises of Delhi, Mumbai, Kolkata, Chennai etc. the place is also noted for its batch of ‘Airforce’ guns who served the armed forces with pride. Today Coyalmannan has its sons and daughters settled in far away lands and nations who visit the place out of nostalgia and to smell the aroma of a soil they left behind decades ago.

It would not be surprising if you come across a group of Grey haired mustached senior citizens in their dhotis and hawais chatting away their lore of yesterdays in a temple courtyard and their conversation replete with references in Hindi or angelic verses, the truth would be that they have seen the world and have returned back to their lands to relive the magic of Coyalmannam!

Visit Coyalmannam – Perhaps you may settle down there forever to feel the touch of the countryside!

Festival of letters

 #sahityaakademi Festival of Letters Festival is a celebration that is inclusive and brings about a sense of joy in participation, sharing...